the woman's smaller face
and huge breasts
painted like a kiss
on my bedroom wall
so i kept looking
and guessing
and looking again
it was only
a few months earlier
and i was doing a lot of work
a whirlwind of legs
a whirlwind of writing
confetti on the floor
cigarettes like wild mushrooms
on the backyard deck
wine bottles
and corks
and a cheap silk bowtie
underneath a turquoise umbrella
wearing an outrageously starched shirt
they turned out to have more in common
than might have been thought
i blamed myself
for the visceral images
in my mind
drawn from an adolescent prankster
who had given way to a more dramatic
allegorical still life of a man
his tiny arm clutching a pen
like a thunderbolt
like a beach towel
with the figure of Jupiter on top of it
and a clock wound down to the gum line.
have you seen the latest movie
about an alien world
with a hidden agenda,
stripped of any significance
an economic system slowly disintegrating
like a useless utensil?
lastly, her lips were bright red
glossy with temptation
two pieces of a puzzle
hiding from prying eyes
but open for my own.
it would soon be summer and the
celestial weapon of the sun
might burn my skin
but i could use her bust to hide my face
like a carpenter's square can hide
an angle,
and we'll become oranges
sucking all the juice we can
from life,
like architects
who imagine the fantastic.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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