fitting a naked woman into a square frame
(if she's a mature woman is she still a dame?)
that is the last thing i wanted to do
but the old woman who lived in a shoe
knew there was always one breast too much
or a belly or an ass or a hip and such
and the thigh
in several sketches elicited a man's sigh
for there wasn't any more room for all the flesh
squeezed as tightly as possible inside black mesh
and now her eyes staring straight ahead
made her look like a dangerous female instead
of a tall slim methodical curve
(around which i might stupidly swerve)
keeping time, in perfect rhythm, feet together
her movements unaffected by the weather
she looked perfectly balanced and serious
smooth, diplomatic, almost, dare i say, imperious
but certainly alluring and fit
and i'd like to get a piece of it
with my head in my hands and not missing a word that's said
all this time i'm thinking of painting her in bed.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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