in the morning,
over worn stone steps,
the Italian artisans walked inside.
the lady of the house was hiding her head under the covers,
a fresco recently made of her ass;
a fresco recently made of her ass;
it was like an tasty island rimmed with collector's red lipstick,
freshly painted on the nearby marble ceiling.
waving her arms
in the eighteenth-century manner,
she rose from her bed.
while eyeing an ample supply of caviar,
she headed to the bathroom.
she headed to the bathroom.
as she walked down the wide hall,
the artisans stopped smoking their opium.
no man whistled or thought of a pick up on the street,
even though one of them was a Turk!
an artificial lake in the porcelain bowl,
like a small grotto in a nearby park,
held her false teeth from the night before.
when she finished with her makeup application,
she reached for her sunglasses and put them on.
it was almost evening before she set about
assembling a breakfast from ripe olives, tobacco, and red wine.
a crowd of visitors were already
in her kitchen.
while they watched her eat,
they tossed barbed messages among themselves.
she was very, very cool, chewing slowly.
when she finally finished her last sip of fine Piedmont wine,
everyone came to attention and saluted.
one woman soon played a snare drum and
a small dwarf grabbed his acoustic guitar.
the crowd began to sing Inno di Mameli.
but i wouldn't see her again until the following year,
by which time the artisans would be finished with their tasks.
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