as an artist, i wanted to shape
her nude form into something more inviting
and starting just
below the forehead and hair,
i imagined her eye etched into the side of her hard head
similar in size to a recently hung masterpiece.
it could arguably be called a visionary slit,
set slightly above the upper lip,
and with full focus on what i was doing,
i made it tower over her neck in the undecipherable form
of a lusty shadow.
but it wasn't until the end of the first summer,
as i watched the profile strengthen
from an initial hint of earthiness on my studio floor,
that i was finally able to come by her side to stretch the waiting canvas.
and i stayed busy during the following nights and days,
adding layers of intrigue and light to a tribal image of her poetic smile,
while providing her an alluring mouth and many perfect fingers.
i wanted to be precise, but without employing too much delicacy,
so i added hash marks and often tilted my head for a better view of her underworld.
when satisfied, i left the lower part of her body behind,
as there was still much work to be done on
her pendulous breasts.
and if i stood her erect, she was as tall as i was;
if she stood me erect,
i wore my fertility mask,
waiting for the paint to dry
when i knew her eye would be completely etched,
as flat as a tongue and equally as perceptive.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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