the Seated Man might have been concealed,
yet his presence was felt
in the rough texture of a simple paradox:
Picasso's self-portrait, another deep enigma, or both.
but the simple seat had barely a leg or two,
and a hat or none at all.
his flat presence like a carpenter's square
full of angles and the sharp thin lines of construction.
many faces or none?
working at Montrouge just before 1919,
the chair master tossed his cubes onto the icy white.
He, the ultimate magician
with a proud brow and curving smile,
spoke to his friend before the coughing
death in a Paris apartment where poets came to pray.
It was 202, boulevard Saint-Germain-des-Pres at 5PM
when the final silence descended, pulling the unfinished copy
over Apollinaire's head.
He was 38 when he died.
Breton was already at his door, defending the avant-garde.
Cocteau was already on his way out, although he didn't know it.
and upon feeling the sad news when a widow's black veil
touched his cheek, Picasso went to his bathroom mirror and
began to draw.
he drew a lonely man.
nothing was as synthetic as it seemed.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
Subscribe to:
Post Comments (Atom)
Jessica in Madrid, Spring 2006

daughter is empowering herself
No comments:
Post a Comment
Please leave your thoughts.