Cotopaxi, Ecuador (summer 2012)

Sunday, March 22, 2015

Inno di Mameli

in the morning,
over worn stone steps,
the Italian artisans walked inside.

the lady was hiding her head under the covers,
a fresco recently made of her ass;

it was like an tasty island rimmed with collector's red lipstick,
freshly painted on the nearby marble ceiling.

waving her arms
in the eighteenth-century manner,
she rose from her bed
and headed to the bathroom,
stepping over an ample supply of caviar.

the artisans stopped smoking their opium
as she walked down the wide hall;

no man whistled or thought of a pick up on the street,
even though one of them was a Turk!

an artificial lake in the porcelain bowl,
like a small grotto in a nearby park,
held her false teeth from the night before.

when she finished with her makeup application,
she reached for her sunglasses and put them on.

it was almost evening before she set about
assembling a breakfast from ripe olives, tobacco, and red wine.

a crowd of visitors were already
in her kitchen, 
tossing hand grenades among themselves
while they watched her eat.

she was very, very cool, chewing slowly.

when she finally finished her last sip of fine Piedmont wine,
everyone came to attention and saluted.

one woman soon played a snare drum and 
a small dwarf grabbed his acoustic guitar.

the crowd began to sing Inno di Mameli.

but i wouldn't see her again until the following year,
by which time the artisans would be finished with their tasks.

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Jessica in Madrid, Spring 2006

Jessica in Madrid, Spring 2006
daughter is empowering herself