I tried my hand at music in 1923 but
there was no one near enough to judge me.
My dearest friend kept entertaining theories about
notes and harmonies and late night dinner parties,
and told me not to worry.
So I waited until the summer of twenty six,
when the Riviera was full of curious Americans
ready to try their hand at anything new, especially when
it included other people's feelings.
When they weren't being infuriating,
they could be affectionate, or so it seemed.
When not idle, they were off visiting small mountainside cafés,
dancing without a partner, listening to Negro
spirituals, listening to jazz played on old pianos, and
lounging on the white sands of a nearby small beach.
Their gambling was constant and, for some, almost ruinous.
A few seemed to enjoy my honest attempt at experimental songs,
but no one ever mistook me for Cole Porter,
who made a few appearances wearing his tie.
His wife, Linda, favored serious stuff, so hated my songs.
But Cole took them largely and without suspicion,
as though they were friendly ghosts at his banquet.
He later made an important name for himself on Broadway,
as well as a great deal of money, which i never saw.
He didn't return to the Riviera, but his ballet,
Within the Quota, came appreciatively near.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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