so if he wrote with his blood
and exhausted the supply
he would certainly be dead;
much as using enamels
to create a path through landscapes
from black to white to red,
hoping to design a less wounded past,
he languished there instead.
and in heroic manner he drew
the unseen feminine roots,
which sank directly into brown soil
near where the distorted male tree,
agitated in a sexual fever,
grew heated into a boil.
two separate twigs, stretching, almost touched
until their final recoil.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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