you walk in front of me
toward your own death.
i am not able to help
or hold you back.
i take a deep breath
and you have something to say
as you pass an old
red-leather trunk.
i consider the morning drunk
in his good mood all day long,
another actor in search of himself
singing a Marquis de Sade song.
we can't put a stop to it now.
we saw scenes like that a dozen times or more
after the most recent war
when the fuses kept blowing and there was no more light.
our street had at least fifteen people with nothing to do;
each face with a green, a mauve, and a blue,
and you thought there was no such thing
but now admit frankly in one fashion or three
that untroubled creativity will keep you free.
i petitioned but you would not yield,
left your straight jacket in the wheat field
where only color had the power
to command your attention after an hour,
and went your separate way
where, at the local town hall,
for a long time there was a big crowd without any real dialogue.
each of us carried on a personal monologue
in the direction of the other
while miscounting money on a cold afternoon.
i thought i wouldn't miss you so soon.
"let me bathe myself in your eyes
like a newborn surprise,"
i said. But now you're dead.
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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