When his beret basque tumbled,
I saw the minotaur
Down on his knees
With a young lover in his head.
Moments before he
Had been sitting
With an older fur coat, her square
Shoulders set by a heavy jaw
Inside a small restaurant
Much-frequented by
His friends.
This Paris cafe sold everything in limited quantity,
Even refugees from
The history of art.
Near it's front door
A pair of blue windows
Against the slight evening breeze
Stood open.
There, warm flesh and
Cool champagne
Talked of anything on
The interior courtyard where
Pigeons with peas,
One fair and one dark,
Were disguised as young girls.
Miscellaneous clutter
Atop a checked tablecloth
Included the sculpture of a skull.
White costumes and pale faces looked
For the slightest gesture
To take on meaning.
An other-worldly atmosphere
Could be felt on the winding stairs,
where Matisse went to find an idea
about something French.
A yellow lemon and many glasses
Remained on the long table,
under which Malraux could be seen hiding.
"Come," the wounded minotaur finally
Whispered to her tapering fingers,
"Because you find me interesting."
I use words to deepen my observations. All of the following works are © copyrighted. They are the intellectual property of Greg Hoover. If you or anyone you know is interested in licensing one or more written works for use in a compilation, as lyrics in a musical work, synced to video, or some other use, feel free to contact me about an arrangement. But if not, assuming you are curious and literate, simply reading for pleasure is encouraged.
Cotopaxi, Ecuador (summer 2012)
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Jessica in Madrid, Spring 2006

daughter is empowering herself
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