The Maasi

The Maasi saw
from Kenya's land
their river falling
couldn't understand
the wildebeest
or the hippo
would die in this heat
with nowhere to go
without water
without a voice
dead indifference
leaving them no choice
great migration
sadly ended
while African tribes
in smoke decended
forests were cut
charcoal was made
cattle were grazing
without ancient shade
in an old land
with a new pain
without much food
without much rain

the final cry was 'Broken Arrow'

it was once all about Saigon
but now it's gone
the muddy river once slept and burned
and what have we uniformly learned
painting it jet black won't get it back:

the body bags filled with Asian dirt
politicians said it wouldn't hurt
watching the helicopters at the embassy!

a young woman with her crying baby
grabbing the barbed wire wall
dodging shots before the inevitable fall...

and all the President's men
each with a white face
their conference table with expensive pens and frivolous lace
and a perfect powder room
where the happy hour drunks sang delirious songs of doom
in the stone temple.

the gods sat hard and cold
trading places which could be bought and sold
outside the parlors of the free press:
readers were forced to guess
what in the streets of an American city
was real and what was merely witty;

and on the television screen
cigarette smoke filled the stale air.

in Vietnam the midnight sparkle
was a phosphorescent flare,
and young men lived and died there.

while in the Pentagon,
it was once all about Saigon
but now it's gone
when the flesh gave way to marrow
the final cry was 'Broken Arrow'

Le Tricorne (22 July, 1919)

her thin fingers were magnified,
while tiny lines of Russian smiles
were seen dancing on the stage,
waving to the audience from a 
perfectly classical ballet position.

and there was sincere applause for the flesh-and-blood
physicality, but grace and beauty
shared all the jumps and spins and bows.

in the scene-painting studio on Floral Street,
Picasso had mixed light chrome with pure white,
to produce the beauty of old ivory, which added richness
to the sets of Le Tricorne, which needed it especially in London.

Massine played the Miller, speaking with his feet
in a stomping fit of flying sentences, tipping his hat
to the ladies and the admiring men, all thinking
they were watching the future Gene Kelly, while dreaming
of an umbrella and a cup of warm tea.

apparently it was raining,

or soon would be,

but all were warm and dry inside the Alhambra Theatre.

La Boutique Fantasque

La Boutique Fantasque
and the silver pipe beneath the derby hat,

the dandy little guy with his deep sharp eye
his formal tie
black before a bright white light
tied tight
inside a blond French mistress
with a youthful hunger for his cock

his fast brush and his wry smile slide
wide
with practiced pomp past the Russian dancer
into the wilds of Provence

and parade

the woman in tears displayed
on his Spanish canvas
weeps with magnolia memory
pure as a lake bottom

the sun cold with shades of nuance.